Simplify for a Stronger Painting
from Skip Whitcomb
We naturally see too much detail. Even after 50 years of painting, Skip still struggles with this and constantly reminds himself to simplify—focusing on broad shapes rather than getting lost in the intricacies. He tells himself to start with the big, prominent elements, trusting that the smaller details will fall into place. Often, those tiny details aren’t as essential as they seem. Instead of labeling a stand of trees as individual trees, try to see it as a single, continuous shape with defined edges—some sharp, some soft, but all part of one cohesive form.
Recognizing the shapes of different elements is essential. In a landscape, the mountain and hill form one shape, while a stand of trees below creates another. Instead of naming objects—like “tree”—think of them simply as shapes with value and color. This shift in perspective instantly makes a painting more expressive and impactful. Beginners often start a tree by painting individual leaves, but without first establishing the overall shape and silhouette, the composition loses strength and clarity.
“ Some of the most powerful writers are the ones who say the most with the least amount of words. Writing and painting are similar processes, just different vehicles.”
When tone and value are placed correctly, the details take care of themselves. Any shape, no matter the size, will resolve naturally if its value and color are accurate. This principle is nearly foolproof—it works every time. It’s similar to recognizing a figure by its silhouette; our brains instinctively understand forms without needing excessive detail. In fact, over-explaining through painting can feel condescending, as if assuming the viewer can’t interpret the image on their own.
Skip often compares painting to writing—both are about communication, and the most powerful messages come from saying more with less. As painters, we must remember that adding more isn’t always better. One of Skip’s favorite insights comes from the great painter Harvey Dunn: “When you step back and think your painting needs one more thing, instead take one thing out.” The result is always a stronger statement.
The foundation of a strong painting lies in the philosophy of less is more. The fewer shapes and accents you place on the canvas, the stronger your statement. Adding too much often weakens the composition. It’s a delicate balance, and much of the urge to over-detail comes from relying too heavily on photographs. Subconsciously, we fear altering them, believing that if something is there, it must be included.
Even great painters fall into this trap—adding elements simply because they exist rather than because they enhance the painting. But remember, you’re not obligated to copy what’s in front of you. Nature and photographs are just references; you have the freedom to rearrange and simplify them to serve your composition. If something creates clutter, remove it. And always focus on silhouette shapes—they are the quickest path to a stronger, more impactful painting.
Skip has a wealth of knowledge to share with you through his mentoring course, “The Power of Orchestrated Color.” Click below to learn more:
To hear more on the topic of detail and shape, listen to Skip and Gabor on the Paint & Clay Podcast: