from Simon Kogan

Drawing isn’t just a skill—it’s a way of thinking. It’s how artists explore movement, composition, and emotion, often refining their ideas right on the page. There’s no reason to hesitate when it comes to studying and learning with a pencil (or pen) in hand. 

Take Rembrandt, for example. His drawings reveal how he studied movement, often prioritizing structure over anatomical accuracy. Simon once came across a small, unexpected Rembrandt sketch in a European museum—only about six inches by six inches. It was fascinating to see how he worked through a figure’s movement in stages (see below).

One version of the drawing, done in red chalk, showed a man in motion, but Rembrandt wasn’t satisfied. He adjusted the placement of the legs and refined the angles to enhance the tension in the pose. The difference was striking—one figure appeared static, while the other had an undeniable sense of energy. This wasn’t about anatomy; it was about making the movement more powerful and believable.

Another remarkable example is a drawing of figures carrying the body of Christ (see below). More than just a study of figures, it’s a masterclass in composition, weight and space.

The way the figures carry the body makes the heaviness feel real. Their positioning directs the eye throughout the composition, illustrating depth through thoughtful placement rather than overloading with detail. The spacing between figures and their gestures enhances the storytelling, making the scene feel emotionally charged.

If you want to improve your drawing skills, don’t hesitate to copy great works. Focus less on anatomy and more on movement, composition, and emotion. Ask yourself:

• How to influence the flow of the composition

• How to exaggerate the structure of a figure to emphasize movement

Drawing is more than a technical exercise. It’s about translating three-dimensional space onto a two-dimensional surface so that the scene becomes alive. 

So, pick up your pencil, study the masters, and most importantly—think with your pencil in hand.

With personalized guidance, Simon helps students refine their artistic skills by focusing on movement, composition, and emotional depth in sculpting and creating. Find his next open enrollment period below: